My most recent lesson: There are numerous adjectives that come to mind – horrendous, horrific, terrible, embarrassing, productive. You might wonder how ‘productive’ got into this list. I take lessons from Scott Bacon (Siegfried’s Call) monthly and this one was torture. I had a really bad practice session the day before my lesson and this seems to be cyclical with me. I have a string of bad days followed by a string of good days and then back to bad days, and so forth.
I started my lesson telling Scott that I didn’t think I had improved much, if at all, from my last lesson. Good thing I said that. We started off with some warm-ups and I could tell that my chops weren’t responding well. Very stiff. My high range was non-existant, my tone was awful, my intonation was awful and I was clamming notes all over the place. We kept going anyway. Kopprasch #3. We worked on the different articulations, rhythm, dynamics, continuity and kept to the middle range. Then we moved on to Singer #7 – quarter note arpeggios. Again we skipped the high notes and concentrated on continuity from note to note and steadiness of tempo. It really didn’t matter that the quality of my tone was bad. It would have been nicer if I sounded good but I still learned a lot.
I’m working on the adagio movement of the Schumann Adagio and Allegro so that was next. We went measure by measure working on phrasing and rhythm. There wasn’t a prayer in hell that I was going to get the high C so we took it down an octave. For this piece I really wished that I sounded better but I still got a few “that was very nice” comments from Scott. After two hours and ten minutes I was spent so we stopped. When we started the lesson I didn’t think I was going to get much out of it but in the end it really was productive. As Scott was walking me to my car he said that even though I sounded bad I played much more musically. I spend so much time focusing on getting the notes that I usually don’t play very musically. I think both my teachers find getting me to play musically is like pulling teeth. This time I already knew that getting the right notes was a crap shoot so I was able to focus on musicality. From Scott’s I drove three hours straight to my 2 hour band rehearsal. Irony of ironies, I played great. No range problems, no tone problems and very few clams.
JoyKeys: While I was up at Scott’s for my lesson I had him install two JoyKeys to replace my water keys. The JoyKey is designed by Andrew Joy, a hornist working primarily in Europe. It’s a replacement for the traditional water key. Instead of using a water key there’s a metal mesh plug in the JoyKey that releases the water continuously but maintains an air seal.
I decided to get them when I was up at my previous lesson with Scott and he didn’t have to dump water once during my entire 2 hour lesson. I had them installed, replacing my water keys, before I started this lesson and I didn’t have to dump any water during my lesson or during my band rehearsal even though the horn sat in the back of my car for three hours on a very cold day. Occasionally I have to blow into the horn to get rid of some residual water. So what’s the downside? Ahem. My pants get wet. Actually more damp that wet but still visible on jeans if you know where to look. I wouldn’t wear khaki pants. That could get embarrassing. I’m planning on getting a nice chamois to put on my lap but until I get one a towel does the job. So far I’m happy that I had them installed.