Wow. I spent last week at the BSO Academy and it was an incredible week. The Academy is run by the Baltimore Symphony Orchestra and it’s a week long ‘camp’ where amateur musicians get to play and perform along side the BSO musicians. Their very fitting logo is ‘side by side with the pros’. The week was jam packed with lessons, lectures, ensemble rehearsals, and of course orchestra rehearsals led by Marin Alsop who is the music director of the BSO. All of this led to the final performance on Saturday night in Meyerhoff Symphony Hall.
I spent the week in disbelief that I was actually sitting on the stage of Meyerhoff Hall and playing with this wonderful orchestra. I applied back in January and I didn’t really expect to get accepted. Getting the acceptance letter was the first of several ‘jaw dropping’ experiences. The second was receiving the music and finding out that I was going to play the first movement of Mahler 2nd, Overture to Candide, and Ravel’s Alborada del Gracioso. The Academy was set up with two separate groups because we had 88 attendees. Group 2 performed Rimsky-Korsakov’s Cappriccio Espagnol and Hindemith’s Symphonic Metamorphosis. As I mentioned, just playing with the BSO orchestra was another ‘jaw dropping’ experience never to be forgotten. Playing with a professional orchestra was so different than playing with the community orchestra and bands I’m in. The rehearsals were ‘no nonsense’ and very efficient. At the beginning of the first rehearsal Marin Alsop stopped for a minute and the usual community orchestra chatter started. She gave one ‘shush’ and it never happened again. Just watching her lead the orchestra was a tremendous learning experience.
The week started with a fabulous performance by the BSO of Verdi’s Requiem. Then we met the BSO musicians and had a chance to chat with the musicians in our section. They were so welcoming. I never felt that they didn’t want to participate in the Academy. In fact, it was just the opposite. They helped us with our parts, let those capable of playing the solos play them, and answered any questions we had.
The week continued with sectionals, our ensemble rehearsals, and many very informative classes including classes on breathing, injury prevention, Alexander Technique, practicing effectively, using tuners and metronomes productively, yoga for musicians, and conquering stage fright. At many ‘camps’ classes like these provide only fluff but these were well prepared with very useful information.
In addition to the final orchestra performance, we also had a chamber music concert and a solo with piano recital. The typical ensemble was led by a BSO pro either playing or coaching. I was in a brass quartet – two trumpets, trombone and horn. We played a piece by Arthur Frackenpohl which I had to work hard at to play it well. Our coach was outstanding and very patient with me dealing with a piece that was slightly above my ability level. By the time of the concert I was able to play the piece well. I didn’t sign up for the solo with piano class though I should have. I would have had an opportunity to play for a very caring and forgiving audience.
I took two lessons, one with Mary Bisson who plays 3rd horn and one with Phil Munds who is the principle horn. Both lessons were extremely worthwhile. We worked on breathing and sound, which I continually struggle with. I got several very valuable exercises that I could tell helped my air and sound. Now it’s a matter of me doing them correctly without their guidance.
All in all the BSO Academy was an amazing, awe-inspiring experience that I will never forget. Hopefully I will have the opportunity to attend again next year.