My school journey – the first two years

Back in the spring of 2010 I decided that it would be a good idea to learn some theory. I went over to Suffolk County Community College and tried to register for a theory class beginning in the fall. They said no, you have to enroll in the music department and be a full-time student. Oh boy. And you have to pass a music equivalency test or take a music basics class over the summer and convince the music department to accept you. Huh? This is a community college. At least I didn’t have to audition. I opted to take the summer class since I had no formal music education and when the class began I realized that I knew nothing. Fortunately I did well in this class and I decided to continue as a full time student. I was thrown into theory, aural skills, piano fundamentals, and of course horn lessons, ensembles and juries. OMG.

When I started classes I worried a bit about how the other students would react to having someone older than their mothers in their classes. I didn’t need to worry. The kids were great. For about two weeks they weren’t sure how to talk to me but we all got comfortable with each other and I was treated like any other student. What a relief.

In the beginning of the first semester I didn’t do well and I really didn’t understand why. I had no trouble understanding the lectures but I wasn’t passing my tests. I took a careful look at my incorrect answers and realized that I was reversing the alphabet constantly. If the answer required building an interval a major second above C I would start on Bb instead of D. All the time. Even when I figured out what I was doing and went back over the answers I still messed up the alphabet.

I went for testing and found out that I’m dyslexic. Wow, that explains a lot. I was given twice the time to take tests and usually by my third or fourth pass over my answers I found all the mistakes. If I hadn’t figured this out I wouldn’t have made it past the first semester. Some of the issues I still face due to the dyslexia is an inability to play scales even though I work on them every day. My sight reading is atrocious as is playing the correct rhythm. It’s all slowly getting better. I’ve done a lot of research on musicians with dyslexia and my problems are typical. For a while I used this as an excuse for why I couldn’t do some things but recently I finally realized that it was just going to take me longer to learn and that this is okay. I’m also coming up with different ways to learn. No more excuses, no more ‘can’t do that.’

On to year two. The classes were a continuation of year one except instead of piano I had music history. That has to be the hardest class I’ve taken so far. Brutal. There were many times during that fall semester that I wanted to quit. I was really overwhelmed and I constantly questioned why I was putting myself through this. However, I didn’t quit and I got my associates degree. The next step, Long Island University, Post Campus.

Choosing a school

My first year back at school (2010 – 2011) went very well and this past fall I decided that I wanted to continue on to a 4 year school. The first thing was to look at which schools on Long Island had decent music departments, were affordable, and not more than an hour’s drive from my house. I whittled down my choices to two schools – State University of New York (SUNY) at Stony Brook and Long Island University, Post Campus. (Formerly known as C.W. Post.) Post is a private school and would be way out of the ‘affordable’ range except that they offer great scholarships based on merit which I qualified for.

The next step was to apply, write the dreaded “why do I want to go to this school” essay, send in transcripts and then wait to hear if I got in. First I had to get accepted into the school and then audition for the music department. Fortunately I got into both schools and I survived the auditions and got into both music departments as well.

So now I had to decide which school to go to. Stony Brook is about 20 minutes from my house and Post is an hour from my house not counting the misery of driving during rush hour. That easily adds another half hour to the trip. So clearly, Stony Brook wins when it comes to commuting to school.  The required curriculum is similar, though Post doesn’t require a language and Post accepted all of my transfer credits from back in 1972. They also accepted all my music credits from Suffolk. Stony Brook was putting me back a year for theory and aural skills. Hmm. Suffolk and Stony Brook are both SUNY schools and I had a 4.0 in Suffolk. I found that odd. Post wins for credit acceptance.

Post has a program called ‘spend a day with a music student’ which I attended. I enjoyed the day except for the junior level theory class which I found bizarre. We spent the entire class singing and I felt it was much closer to an aural skills class than a theory class. I was very concerned because aural skills is by far my weakest subject. So that one class tipped the scales toward Stony Brook.

Financially, Post wins the tuition battle because of the scholarships I received. The tuition is around $31K and I got $27K in scholarships. However, I had to add the cost of gas and mileage on my car which did get the cost of the two schools closer together.

So at this point, Stony Brook is ahead on commuting (which is a big deal) and their more normal theory class. Post is ahead financially and for accepting all my credits. They are also ahead because they are so nice. Every time I visited the school, no matter who I was seeing, I felt like they genuinely cared about me. I felt much more like a number when dealing with Stony Brook. Even so, I was leaning toward Stony Brook until I finally realized that the most important reason for choosing a school was the horn teacher. And in that category, Post wins hands down. Sharon Moe has great credentials, but more importantly, I’ve had more than a few lessons with her and we get along really well and we communicate well. At Stony Brook, I’d be stuck with a TA. So, despite the commute, the likely hood that I’ll probably spend more than a few nights in a hotel because of late night rehearsals, and that weird theory class, I’ve picked Post.

Catching up

As usual, it’s been ages since I’ve posted anything here. In the past few weeks a few people have asked me to write again and now that it’s summer I have some time. My second year of school was a lot more intense than the first year. Consequently, practicing and then homework had the highest priorities. I did graduate this May with an Associate degree in Music.

As was true of my first year of school, I really enjoyed all my classes again this past year. Theory was still my favorite. It took some work to understand some of the more advanced analysis of tonal music but I got it and I really like digging in and figuring out the structure of a piece. The last month of the class covered atonal music and the twelve-tone row. Although this music is not my favorite, analyzing it was very formulaic and I found it really easy.

I had a great teacher for music history and I did very well in the class. Back in September I didn’t do that well, getting a grade in the low 80s on the first quiz, until I figured out how to study for it. Once I came up with a method that worked for me, I aced all the exams – high 90s and then the last three 102 for each test. It took a tremendous amount of work – hours and hours of homework or studying almost everyday – but doing really well in the class made the work worth it. Plus I really found the material very interesting once we got past the 5th century chant stuff.

Aural skills remained the hardest class for me. I still struggle hearing intervals and with rhythm which made dictation tests very difficult, especially at the end of the year when we worked on bitonality. Fortunately, I had a wonderful professor who took the time and had the patience to help me get though the class. (In fact, all my professors at Suffolk were really excellent and I think that is a big reason why I was able to stick it out and graduate.) The other thing that saved me is that I do very well with sight singing so my grades on sight sighting balanced out my not so great grades on dictation tests.

I played in both the wind ensemble and the symphonic band at school, plus the two community bands I’ve been in for a few years. I did find that all the playing was hard on my chops. Most days I was playing at least three hours and at least twice a week, five hours. In the fall semester that wasn’t too bad because I was playing mostly low horn parts but in the spring semester I was playing 1st in the school bands and that’s when I started to really feel the impact to my chops. I ended up with a split in my lip right where the mouthpiece edge sat on my lip and ended up with a bloody mess on more than one occasion. Although my lip is healed I can still feel where the split was and I have to be careful not to split it open again.

I did a lot of performing this year between recitals, juries, some chamber music, master classes and auditions. I am very slowly getting past the insane nervousness though I still don’t play my best when I perform. I hope that eventually this will change. I can tell that I am playing better than I did last year. Improvement is slow but relatively steady. My biggest problem is still air – “I didn’t hear you breathe” or “you didn’t take a big enough breath” are typical comments during lessons.  Next is probably rhythm, or maybe intonation, or maybe articulation, or maybe accuracy, the list seems endless.

I will write on my choice of a four year school, the 2nd BSO academy that I attended, and SummerTrios in the next few days.

School and other frustrations

So my second year back in school is going okay but it’s a lot harder than last year. My biggest challenge is my aural skills class. I used to have a good ear, or at least I though I did, but I’m having real problems hearing intervals, inversions, and chord progressions. Plus, rhythm. Oh boy. There’s that song – ‘the rhythm is gonna get you’ – truer words could not be said. Rhythm dictation is not going well. It’s frustrating to struggle with something and not see much improvement. In my other classes I can study until I learn the material. In this class it feels like more of an innate thing that over time should get better but possibly not at the speed necessary to pass the class.

I was worried about my music history class and memorizing composers, dates, titles and the like but I think that’s going to be okay. It’ll take work, but I can handle that. Theory is an interesting beast. We’re studying secondary dominant chords and modulation along with writing four part chorales right now. There are so many things to remember that I sometimes end up making really stupid mistakes. Aaaargh. One of the really good things about school is that all my teachers are really great. My classes are very interesting and the teachers are superb at explaining their subjects.

Horn wise, I am definitely playing better than I did last year but I still get frustrated and I still have bad days. Not as many as I used to have but enough to get me down in the dumps now and then. Fortunately I don’t have bad weeks anymore and I can eventually figure out what I’m not doing that I should be doing. Usually it’s air or the lack thereof.

My biggest frustration is that I can’t find an orchestra to play in. In my first semester at school I took orchestra and it was interesting but not that fulfilling because I was the only wind player. It took me a while to get used to being the only one but I did and I enjoyed it, especially the dress rehearsal and concert when we did finally have a full complement of players. For the spring semester I opted to play with the band and wind ensemble but I really missed the orchestra. That led me to audition and get into a small orchestra in New York City.  I played with them last spring and enjoyed it but they changed their rehearsal time for this fall and, sadly, the new time just doesn’t work for me. Back to the search. So far, no dice except that I got permission to sit with (not play) the horn section of a good Long Island orchestra that rehearses a few minutes from my house. On one hand it feels really weird but on the other, I am learning something. I follow the music and I get to hear good horn players. There’s a possibility that I’ll be able to fill in now and then and play with them in the summer. At least I’ve got the first inch of my big toe in the door.

School Recap

Last week I finished my first year back in school. I did well and really enjoyed the experience. The mundane silly stuff that I was worried about – parking and walking to class from the lot on ice and snow – was a non-issue. I had some concerns about fitting in with the kids but that wasn’t an issue either. Everyone was as nice as they could be and even started including me in conversations after a few weeks.

In the first semester I struggled a bit with theory not because I didn’t understand it but because I kept making stupid mistakes. I finally realized that I was inverting letters of the alphabet. For example, if I was in the key of C and had to use the 2nd scale degree I would think B instead of D. Once I knew to check carefully for mistakes like that I started to do well in theory. I think I must have some form of dyslexia. I’ve never known my right from my left without checking which arm my watch is on and I’m not good at the alphabet unless I sing the ABC song. I switch the sequence of phone numbers all the time.

This leads me to my biggest problem which is playing scales. I’ve been practicing scales every day since I started playing the horn again. I know C by rote. I am just getting D and Bb by rote. The scales that I have to think about I mess up every time. I’ll get lost halfway through the scale or forget what scale I’m playing or think the wrong note. If I know the note I’m at I don’t have a problem knowing if it’s natural, sharp or flat but remembering that F comes after E is a problem. Going backwards is close to impossible. My problem with scales has hurt my jury grades and somehow I’m going to have to learn them.

I was talking to a horn teacher and friend of mine a few weeks ago and she was telling me that she’s teaching a high school student who is an excellent horn player but has the same problems with scales. She suggested working on just one scale at a time until I know it by rote and then moving on to the next one. I’ve been working on G for about a week now. At this rate maybe I’ll know the major scales by the end of the summer.

My second biggest problem is identifying intervals. I still can’t reliably identify major and minor thirds, especially harmonically. Since I’m having trouble with thirds, I have trouble identifying triads and their inversions. It also seems that the more I work at it the worse I get. For the most part I don’t have trouble with melodic dictation. I listen for reference notes and then figure out the intervals in the dictation from there. I do fine with sight singing also. I’m going to work on intervals everyday over the summer so I hope I get them in my ear by the time Aural Skills 3 starts in the fall.

With horn playing my challenges are still air and rhythm. I finally understand what it is that I need to do with air but very frequently I don’t remember to do it. I think once using air correctly becomes a habit my horn playing will improve a lot. For rhythm I practice with a metronome but I still have an amazing capacity to completely block it out. I must have at least six different metronomes – even some that poke me or buzz on my wrist – but none of them stop me from blocking them out. I have at least gotten to the point that after a few measures I realize that I’m not with the metronome anymore.

My last issue that has been plaguing me since the fall is my sound. I’ve already blogged about this but gosh it’s driving me crazy. My sound is overly bright and I’ve been playing around with different horns trying to find one that warms and darkens my sound. I love my Otto horn except for the sound I get from it. That’s a big ‘except’. My horn feels like an old friend, sort of like a favorite flannel shirt and I hate the thought of changing horns but this sound thing is making me miserable. I’m also still a novice so it’s probably not the best time to change horns. On the other hand, I’m playing the horn because I love playing the horn and not liking my sound makes playing a lot less fun. I’ve tried different right hand positions, different posture, and putting the horn on my chops at different angles but nothing seems to help. I wish a genie would just pop out of a bottle and grant my wish for a better sound on my Otto horn.

Updates – School

I returned to school as a full time music student back in September. My plan had been to just take an ear training class and maybe a theory class but it turned out that our local community college required enrollment in all of their music classes. It was not possible to just take one class so I dove in and signed up as a full time music student.

In order to get into the music program I first had to take a music fundamentals class over the summer. I had the option to pass a test but since I didn’t have any formal music training I opted to take the class. It’s a good thing I did because I would not have passed the test. After the first week everything was new to me. Before I took this class I didn’t know how much I didn’t know.

I passed that class easily and started the full music program in the fall. This is a two year school so I need four semesters each of theory, aural skills, and applied music and two semesters each of piano and music history. The first six weeks of theory was basically a recap of the fundamentals class and then we got into new material and school got a lot harder.

I’ve discovered that it takes me much longer to do anything compared to the rest of the students in the class. Our professor will put a problem on the board or ask us to complete a set of questions in the workbook and expect that we will finish in a few minutes. Everyone does except me. He will give us homework that ‘should take half an hour’ and I spend several hours doing it. Tests are extremely challenging. I totally understand the material but I have to rush through the tests and I end up making really stupid mistakes.

I have different issues with aural skills. I used to have a really good ear. Since I started playing the horn again I’ve had problems with intonation and that was one of the reasons that I started thinking about taking an ear training class. Well I’ve learned that my good ear is not so good anymore. One of my problems is that I am having lots of trouble hearing harmonic intervals. In the first semester we got up to 5ths and sometimes I can recognize the interval instantly and other times I miss them by a mile. The farther I get from my vocal range, the harder it becomes for me to recognize the interval. Fortunately I do better with melodic intervals and therefore do reasonably well with dictation and sight singing.

Piano class was easy last semester but is much harder this semester. I have a different professor and her requirements are actually more stringent than those for our major instrument. I’m supposed to spend more time practicing the piano than I am practicing the horn. I don’t because the horn will not come in second to piano but I have to put in enough time to keep up an A grade.

Getting along with the other kids in the classes has been remarkably easy. I didn’t really know what to expect and considered ‘ugh, who’s that old lady in our class’ as a possibility. I’m very outgoing so I started to talk to them right away and fortunately after about three weeks they started to open up and talk to me and I think now that I’m thought of as just another ‘kid’ in the class except when they start cursing and then, amazingly, they apologize. My response is to thank them and point out that I have four kids and have ‘heard it all’ before.

So far I’m very happy with my decision to go back to school. I love the challenge and I’m doing well. I also have more playing opportunities than I would ever have without school. My horn lessons are going well and I’m improving slowly but steadily.