Last night I nailed my horn part in a quintet performance. I mean really nailed it. It was the best I have ever played anything. I’m at the Baltimore Symphony Orchestra Academy for my 6th time and last night was our chamber music concert.
So I’m thinking about the factors that contributed to this performance. We played two movements, 1 and 3, and I nailed the 3rd movement. The first movement was more typical of how I usually play. Some strong spots and some weak spots. The third movement was damn near perfect. Scary word, perfect. I know nothing is ever perfect no matter who plays it. There is always room for improvement. But in this case I think it’s the right word to use.
So back to why. I worked on my part for about 6 weeks. I worked on both movements, more on the first than the third because the first was the harder movement. One clue here is that the third movement was technically comfortable for me however the horn part was also much more exposed and had two gorgeous solos.
The little voice in my head that says, ‘I know I can play this but there’s this issue, that problem, and I hope I don’t get lost’ was in my head for the first movement but not the third.
The third movement was slow. Slow doesn’t mean easier. There are plenty of opportunities for screw ups but in my brain, the important part of this paragraph, it usually means easier. In all of my performances I’ve had both slow and fast phrases and I’ll mess something up in both of them. I think the concern about the fast parts leads to mess ups in the slow parts.
But the crux of the matter is that, unequivocally, I knew I could play this movement which leads to the most important piece of all this – confidence. I’ve walked out on stage feeling pretty confident but never totally confident. I felt rock solid about the third movement and I nailed it. No doubts in my head at all.
This leads to something about performances that I have learned the hard way. For me, not necessarily everyone, it’s important to start performing with pieces that are within my ability. During my recent years in school I had to play music that was too hard for me. Consequently many performances, especially at Post, were train wrecks. Villanelle probably the worst one. Every time I walked out on stage I knew there were parts of the piece I literally couldn’t play. I never walked out with confidence. Since Post I have been choosing pieces that were mostly within my ability and my confidence has been improving. Last night everything meshed into a great performance. The first time will not be the last time now that I know I can do it.